![]() ![]() ![]() Similarly, long crossfades can create smooth transitions between sustained sounds.Ĭrossfades are generally symmetrical in Studio One, but long crossfades often need asymmetrical shapes to sound good. Using a longer fade and paying close attention to the curve shape can produce an acceptable decay. For example, if one instrument in a mix sustains a note just a bit longer than the rest, shortening the last note on that instrument is easy, but making it sound natural is tougher. Non-destructive fades, of the sort you get in Studio One and most DAWs, can be thought of as a basic kind of level automation, especially when you consider long fade times. As with grouping, Studio One has a full set of level automation functions, and the trick is to understand them and how to bring them to bear on a situation at hand. I kind of liked the way that turned out, so this month I’m taking a similar look at level automation in Studio One. Last month I took a summary look at Studio One’s grouping facilities and how to apply them. Studio One offers the full gamut of automation features - but which ones are appropriate to your needs? ![]() Once overlapped, the asymmetric fade acts like any crossfade, with linked editing of duration, curve shape and placement. Bottom: one event has been dragged to overlap the other, creating the asymmetric crossfade. Top: Two fades with different fade shapes are created. Screen 1: How to create an asymmetric crossfade in Studio One. ![]()
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